Cork
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ALL OPERA LA BOHEME
The Winter's Tale
carravaggio
TOSCA OPERA
BERLINER APRIL
50 SHADES FREED
MY GENERATION
MESSIAH LIVE FROM BRISTOL
LADY WIND
CARMEN

All Events
Runtime: 129 mins
Rating: 15A
Set in the harrowing days following 9/11, a U.S. Special Forces team, led by their new Captain, Mitch Nelson (Chris Hemsworth), is chosen to be the first U.S. troops sent into Afghanistan for an extremely dangerous mission. There, in the rugged mountains, they must convince Northern Alliance General Dostum (Navid Negahban) to join forces with them to fight their common adversary: the Taliban and their Al Qaeda allies. In addition to overcoming mutual distrust and a vast cultural divide, the Americans—accustomed to state-of-the-art warfare—must adopt the rudimentary tactics of the Afghani horse soldiers. But despite their uneasy bond, the new allies face overwhelming odds: outnumbered and outgunned by a ruthless enemy that does not take prisoners.
Runtime: 140 mins
Rating: LIVE
The second live broadcast of the Berliner Philharmoniker 2017/18 Season is led by Kirill Petrenko, chief conductor designate of the orchestra, and features the exciting young pianist Yuja Wangperforming Prokofiev’s Piano Concerto No. 3. The concert also includes Anatoly Lyadov’s iridescent tone poem The Enchanted Lake and Franz Schmidt’s Symphony No. 4 in C Major. The cinema broadcast features exclusive interviews and programme insights.
Runtime: 120 mins
Rating: LIVE
On 14 November 1987, a promising conductor called Simon Rattle made his Berliner Philharmoniker debut with Gustav Mahler’s Sixth Symphony. Looking back Rattle says, I felt that I was finding my voice on that day. Mahler’s multifaceted work is again on the programme when Sir Simon appears for the last time as chief conductor of the Berliner Philharmoniker. Sir Simon Rattle’s Farewell Concert will be broadcast live to cinemas on 20 June 2018, with exclusive interviews and programme insights featured as part of this historic event.
Runtime: 140 mins
Rating: LIVE
A gripping drama based on the short novel by Herman Melville. Billy Budd follows a young sailor who finds himself serving under a repressive regime of master-at-arms John Claggrt in the Royal Navy. Unable to bear the goodness that Billy radiates. Claggart becomes determined to destroy him, leading Billy to take harsh actions against his superior. First preformed at the Royal Opera House in 1951, this and innovative contemporary opera.
Runtime: 93 mins
Rating: 15
This fictional portrait of Italian Renaissance artist Michelangelo Merisi da Caravaggio (Nigel Terry) follows the painter as he wanders the streets, often using prostitutes and homeless people as models for his work, which was lauded in his own time. Involved with two very different lovers, Ranuccio (Sean Bean) and Lena (Tilda Swinton), Caravaggio leads a troubled life in spite of his relative success, with his reckless behavior steering him towards an early grave.
Runtime: 105 mins
Rating: PG
Coco follows a 12-year-old boy named Miguel who sets off a chain of events relating to a century-old mystery, leading to an extraordinary family reunion.
Runtime: 105 mins
Rating: PG
Coco follows a 12-year-old boy named Miguel who sets off a chain of events relating to a century-old mystery, leading to an extraordinary family reunion.
Runtime: 125 mins
Rating: PG
A thrilling and inspiring true story begins at the precipice of World War II as, within days of becoming Prime Minister of Great Britain, Winston Churchill (Academy Award nominee Gary Oldman) must face one of his most turbulent and defining trials: exploring a negotiated peace treaty with Nazi Germany, or standing firm to fight for the ideals, liberty and freedom of a nation. As the unstoppable Nazi forces roll across Western Europe and the threat of invasion is imminent, and with an unprepared public, a skeptical King, and his own party plotting against him, Churchill must withstand his darkest hour, rally a nation, and attempt to change the course of world history.
Runtime: 145 mins
Rating: LIVE
Soprano Rosa Feola takes the sage in this opera directed by Riccardo Chailly. Don Pasquale follows an old bachelor who decides to marry and produce an heir to spite his disobedient nephew Ernesto, who want to marry for love rather than money.But Pasquale's chosen bride isn't who she seems and bears her own secret...
Runtime: 135 mins
Rating: 15A
When scientists discover how to shrink humans to five inches tall as a solution to over-population, Paul (Matt Damon) and his wife Audrey (Kristen Wiig) decide to abandon their stressed lives in order to get small and move to a new downsized community — a choice that triggers life-changing adventures.
Runtime: 89 mins
Rating: PG
Set at the dawn of time, when prehistoric creatures and woolly mammoths roamed the earth, EARLY MAN tells the story of how plucky caveman Dug, along with sidekick Hognob unites his tribe against the mighty Bronze Age in a battle to beat them at their own game.
Runtime: 85 mins
Rating: TBC
From award-winning director Phil Grabsky comes this fresh new look at arguably the world’s favourite artist – through his own words. Based on over 2500 letters and narrated by Henry Goodman, I, Claude Monet reveals new insight into the man who not only painted the picture that gave birth to impressionism but who was perhaps the most influential and successful painter of the 19th and early 20th centuries. Monet’s life is a gripping tale about a man who, behind his sun-dazzled canvases, suffered from feelings of depression, loneliness, even suicide. However as his art developed and his love of gardening led to the glories of his Giverny garden, his humour, insight and love of life are revealed. Shot on location throughout Europe at the very spots he painted, I, Claude Monet is a fresh and intimate cinematic exploration of some of the most loved and iconic scenes in western art.
Runtime: 85 mins
Rating: TBC
Every Rembrandt exhibition is eagerly anticipated but this major new show hosted by London’s National Gallery and Amsterdam’s Rijksmuseum was an event like no other. Given exclusive, privileged access to both galleries, the film documents this landmark exhibition whilst interweaving Rembrandt’s life story with behind-the-scenes preparations at these world famous institutions. The exhibition focuses on the highlights from the final years of Rembrandt’s life, commonly thought to be his finest years. The masterpieces he produced during this period could be called his defining works, with each piece so soulful and honest that they helped sculpt our idea of Rembrandt as a man and as an artist. This film explores each of the exhibition’s key works, through contributions from specially invited guests including curators and leading art historians. For many, Rembrandt is the greatest artist that ever lived and this film seeks to explore the truth about the man behind the legend.
Runtime: 148 mins
Rating: G
After Ferdinand, a bull with a big heart, is mistaken for a dangerous beast, he is captured and torn from his home. Determined to return to his family, he rallies a misfit team on the ultimate adventure.
Rating: TBC
Jamie Dornan and Dakota Johnson return as Christian Grey and Anastasia Steele in Fifty Shades Darker, the second chapter based on the worldwide bestselling “Fifty Shades” phenomenon. Expanding upon events set in motion in 2015’s blockbuster film that grossed more than $560 million globally, the new installment arrives for Valentine’s Day and invites you to slip into something a shade darker.

When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian’s past start to circle the couple, determined to destroy their hopes for a future together.
Runtime: 95 mins
Rating:
A Journey into the heart of the Renaissance ‘Florence and the Uffizi Gallery 3D/4K: a journey into the heart of the Renaissance’ is much more than a classic Art documentary: it’s a multi-dimensional, multi-sensory journey into the Italian Renaissance through the most beautiful, representative works of art of the period. For the first time in cinema theaters worldwide comes an art film on the veritable open-air museum that is the city of Florence in which 3D technology ensures a totally immersive, unprecedented viewing experience: works of art speak for themselves with all the power of their extraordinary beauty enhanced by 3D vision. A stimulating “emotional” commentary is given by a major, leading Renaissance figure, our guide Lorenzo the Magnificent, played by Simon Merrells. From a timeless limbo, he takes us through a tour of “his” Florence, the cradle of Renaissance culture, all to the splendid accompaniment of carefully selected music. Also featured are valuable artistic contributions made by experts such as Antonio Natali, the Director of the Uffizi Gallery for almost 10 years; Marco Ciatti, Superintendent of the ‘Opificio delle Pietre Dure’ and Arturo Galansino, Director of Palazzo Strozzi.
Runtime: 103 mins
Rating: 16
The creative minds behind the hit Insidious trilogy return for Insidious: The Last Key. In the supernatural thriller, which welcomes back franchise standout Lin Shaye as Dr. Elise Rainier, the brilliant parapsychologist faces her most fearsome and personal haunting yet: in her own family home.
Runtime: 119 mins
Rating: 12A
In the brand new adventure Jumanji: Welcome to the Jungle, the tables are turned as four teenagers in detention are sucked into the world of Jumanji. When they discover an old video game console with a game they’ve never heard of, they are immediately thrust into the game’s jungle setting, into the bodies of their avatars, played by Dwayne Johnson, Jack Black, Kevin Hart, and Karen Gillan. What they discover is that you don’t just play Jumanji –Jumanji plays you. They’ll have to go on the most dangerous adventure of their lives, or they’ll be stuck in the game forever…
Runtime: 140 mins
Rating: LIVE
Set in the idyllic 19th century Paris, La bohème tells the story of a love affair between a poor poet and a seamstress. But they are soon faced by the cruel realities of the poverty and ill health which ends up putting their relationship to the test. This productions of one of opera'a classic and unforgettable stories is led by a cast of four talented young artists as the lovers.
Runtime: 150 mins
Rating: LIVE
A new production of Oscar Wilde’s social comedy, Lady Windermere’s Fan, directed by award-winning writer, actor and director Kathy Burke, will be broadcast live to cinemas from the Vaudeville Theatre in London’s West End. This is the second play from the Oscar Wilde Season, a year-long celebration of the brilliant Victorian playwright being staged by Classic Spring, a new theatre company led by Dominic Dromgoole, former Artistic Director of Shakespeare’s Globe. The day of Lady Windermere’s birthday party, and all is perfectly in order. Until her friend Lord Darlington plants a seed of suspicion. Is her husband having an affair? And will the other woman really attend the party? First performed in 1892, Lady Windermere’s Fan explores the ambiguity of upper class morality and the fragile position of women in society in the late Victorian era in one of Wilde’s most popular and witty plays. 
Runtime: 140 mins
Rating: LIVE
Le Corsaire follows the swashbuckling adventures of a dashing pirate who journeys across the high seas to save his beloved from the Pasha's harem with danger looming at every turn. With lavish sets and costumes, the choreography mirrors Russian ballet master Maris Petipa's revival from the 19th century St Petersburg. Full of action, passion and a romantic twist form the heart of the unmissable ballet.
Runtime: 150 mins
Rating: 12A
Matthew Bourne’s Cinderella is a thrilling and evocative love story set in London during the Second World War. The internationally acclaimed choreographer’s interpretation of the classic fairy tale has, at its heart, a true war-time romance. A chance meeting results in a magical night for Cinderella and her dashing young RAF pilot, together just long enough to fall in love before being parted by the horrors of the Blitz. This special dance screening will be followed by a live Q&A with Matthew Bourne exclusively for cinemas.
Runtime: 141 mins
Rating: 12A
In the epic finale to the Maze Runner saga, Thomas leads his group of escaped Gladers on their final and most dangerous mission yet. To save their friends, they must break into the legendary Last City, a WCKD-controlled labyrinth that may turn out to be the deadliest maze of all. Anyone who makes it out alive will get answers to the questions the Gladers have been asking since they first arrived in the maze.
Runtime: 135 mins
Rating: TBC
Inspired by Handel’s profound religious masterpiece, this acclaimed Bristol Old Vic production provides a rare chance to experience a powerfully dramatic account of Messiah and to rediscover the intense spirituality of its many well-known arias and choruses. Staged by the Tony Award-winning director Tom Morris (War Horse), this extraordinary production features Europe’s most celebrated Baroque orchestra The English Concert, the magnificent Erebus Ensemble and a cast of internationally-renowned soloists. The story explores the drama and struggle of faith, showing a group of people whose grief at the loss of their leader is transformed into hope through a narrative of resurrection. Through their despair, the Apostles gradually realise their mission is to redeem the world by sharing the story of Jesus’s life and death with all humanity. Described by the critics as an ‘astonishingly beautiful’ (The Stage),‘direct and impactful interpretation’ (The Times), this dramatised concert is a rare treat for connoisseurs and enthusiasts alike.
Runtime: 86 mins
Rating: 12A
For a one night only special presentation - A documentary narrated by Sir Michael Caine, on the cultural revolution that occurred during the 1960s.

The screening will be followed by a live stream Q+A with Sir Michael on his birthday.
Runtime: 205 mins
Rating: LIVE
Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist. With the Lescauts’ encouragement Des Grieux cheats at cards in an attempt to win Monsieur G.M.’s fortune. They are caught. Manon is arrested as a prostitute and deported to New Orleans, followed by Des Grieux. On the run, Manon dies from exhaustion. Kenneth MacMillan’s source for Manonwas the 18th-century French novel already adapted for opera by Massenet and Puccini. The premiere was given on 7 March 1974, with the lead roles danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance.MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty. Designs by his regular collaborator Nicholas Georgiadis reflect this, depicting a world of lavish splendour polluted by miserable destitution. MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans. But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas.
Runtime: 180 mins
Rating: LIVE
Leonard Bernstein was one of the first classical composers in America to achieve both popular and critical acclaim. He was eclectic in his sources – drawing on jazz and modernism, the traditions of Jewish music and the Broadway musical – and many of Bernstein’s scores are remarkably well suited to dance. He was particularly associated with Jerome Robbins, their credits together including Fancy Free andWest Side Story. To celebrate the centenary year of the composer’s birth, The Royal Ballet has united all three of its associate choreographers to celebrate the dynamic range and danceability of Bernstein’s music.The programme includes two world premieres by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon, marking each artist’s first foray into Bernstein. At the heart of the programme is the first revival of Artist in Residence Liam Scarlett’s The Age of Anxiety, created in 2014 to Bernstein’s soul-searching Second Symphony. Both symphony and ballet are inspired by W.H. Auden’s masterful modernist poem, itself written in response to the atmosphere of disillusionment and uncertainty that followed the end of World War II.
Runtime: 180 mins
Rating: LIVE
Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with additional choreography by Artist in Residence Liam Scarlett. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.Prince Siegfried chances upon a flock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night. Swan Lake was Tchaikovsky’s first ballet score. Given its status today as arguably the best loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score, but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov
Runtime: 180 mins
Rating: LIVE
Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance The Winter’s Tale for The Royal Ballet in 2014. Building on the success of Alice’s Adventures in Wonderland, The Winter’s Tale received ecstatic praise at its premiere, acclaimed by critics and audiences alike for its intelligent, distinctive and emotionally powerful story, told through exquisite dance. It is now widely judged to be a modern ballet classic.The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation. With powerful designs by Bob Crowley and atmospheric music by Joby Talbot, The Winter’s Tale is a masterful modern narrative ballet.
Runtime: 200 mins
Rating: LIVE
Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.
Runtime: 200 mins
Rating: LIVE
Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts. Murder makes Macbeth king, and intrigue and butchery are the hallmarks of his brief, doomed reign. The witches make another prediction, which also comes true: Macbeth and his lady lose their lives, and justice is restored. Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds. The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria ‘La luce langue.’
Runtime: 200 mins
Rating: LIVE
Tosca is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace. Jonathan Kent’s production for The Royal Opera captures the dangerous political turbulence of Rome in 1800. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, including ‘Vissi d’arte’ and ‘E lucevan le stelle’. Giacomo Puccini’s dramatic work was a hit with audiences on its 1900 premiere and it remains one of the most performed of all operas – with its gripping plot and glorious music, it’s easy to see why. A candle-lit church, Scarpia’s gloomy study with its hidden torture chamber and the false optimism of a Roman dawn: this handsome production throws into relief the ruthlessly taut drama, as the tension is wound up towards a fateful conclusion. Puccini’s meticulously researched score is infused with the same authentic detail, from distant cannon fire during the Act I Te Deum to tolling church bells and the sounds of a firing squad.
Runtime: 153 mins
Rating: 12A
The next chapter in the Skywalker saga arrives December 2017.
Runtime: 90 mins
Rating: TBC
“Teatro alla Scala. The Temple of Wonders” is a documentary dedicated to the place par excellence where art is created and performed, and where it lives and breathes. It is the story of the only theatre in the world which has captured and tied indissolubly to it the all time greatest names in the history of music. Giuseppe Verdi, Arturo Toscanini, Maria Callas and Luchino Visconti turned this place into a legend and it still evokes a sense of the sacred to this day, handed down through the years by Herbert von Karajan, Claudio Abbado, Giorgio Strehler, Riccardo Muti, Franco Zeffirelli, Daniel Barenboim, Riccardo Chailly, Patrice Chéreau. Narrated by an off-screen voice. (in the Italian version it belongs to the actor Sandro Lombardi), the film takes us by the hand and leads us through centuries of history, focusing primarily on the Scala but at the same time recounting the main historical, musical, social and political events happening in Italy and the rest of Europe. It is as though there were three types of narrative, starting from the birth of the Theatre, and progressing in a perfectly synchronized manner as the story unfolds. The story is enriched by statements and commentary from musicians, experts and aficionados, and also features photographs, drawings, musical scores, paintings, images, videos from archive material and everything that serves to make it fluid, rich, clear and exhaustive account.
Runtime: 104 mins
Rating: 15A
In this action- packed thriller, Liam Neeson plays an insurance salesman, Michael, on his daily commute home, which quickly becomes anything but routine. After being contacted by a mysterious stranger, Michael is forced to uncover the identity of a hidden passenger on his train before the last stop. As he works against the clock to solve the puzzle, he realizes a deadly plan is unfolding and is unwittingly caught up in a criminal conspiracy. One that carries life and death stakes, for himself and his fellow passengers.
Runtime: 105 mins
Rating: PG
Inspired by the imagination of P.T. Barnum, The Greatest Showman is an original musical that celebrates the birth of show business and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation.
Runtime: 116 mins
Rating: 12A
In June 1971 The New York Times, the Washington Post and the nation’s major newspapers took a brave stand for freedom of speech and reported on the Pentagon Papers, the massive cover-up of government secrets that spanned four decades and four US Presidents.
At the time, the Post’s Katherine Graham (Streep) was still finding her footing as the country’s first female newspaper publisher, and Ben Bradlee (Hanks), the paper’s volatile, driven editor, was trying to enhance the stature of the struggling, local paper.
Together, the two formed an unlikely team, as they were forced to come together and make the bold decision to support The New York Times and fight the Nixon Administration’s unprecedented attempt to restrict the first amendment.
The screenplay for THE POST comes from Josh Singer, who received the Academy Award for SPOTLIGHT, and music will be written by Spielberg’s long-time collaborator John Williams. THE POST also stars Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood, Matthew Rhys and Alison Brie.
Runtime: 115 mins
Rating: 15A
A mother personally challenges the local authorities to solve her daughter's murder when they fail to catch the culprit.
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