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CARMEN
STARFISH
Culture Night Young Offenders
PEARL JAM
BERLINER PHILHARMONIKER
GRACE JONES LIVE
KING LEAR
Exhibition on Screen: Canaletto and the Art of Venice
ROH LA BOHEME
black sabbath

All Events
Runtime: 150 mins
Rating: LIVE
Broadcast live from the Vaudeville Theatre, London Olivier award-winner Eve Best (A Moon for the Misbegotten and Hedda Gabler) and BAFTA-nominated actress Anne Reid (Last Tango in Halifax) star in this new classically staged production of Oscar Wilde’s comedy directed by Dominic Dromgoole, former Artistic Director of Shakespeare’s Globe. The first play from the Classic Spring Theatre Company’s Oscar Wilde Season, A Woman of No Importance will be broadcast live to cinemas from the Vaudeville Theatre in London’s West End. An earnest young American woman, a louche English lord, and an innocent young chap join a house party of fin de siècle fools and grotesques. Nearby a woman lives, cradling a long-buried secret. First performed in 1893, Oscar Wilde’s marriage of glittering wit and Ibsenite drama satirised the socially conservative world of the Victorian upper-class, creating a vivid new theatrical voice which still resonates today.
Runtime: 105 mins
Rating: 18
American Assassin tells the origin story of CIA super agent Mitch Rapp. Long before he was a terrorist’s worst nightmare and before he was quietly loathed and publically lauded by the politicians on Capital Hill, Mitch Rapp was a gifted college athlete without a care in the world, but then tragedy struck. Following this misfortune, Rapp was resurrected from the ashes and recruited to a new life in the nation’s most elite covert operations program. Now he is a man reborn with a mission of retribution.
Runtime: 155 mins
Rating: LIVE
Set against the backdrop of the french revolution Andrea Chénier is loosely based on the turbulent real life events of the poet of the same name. Along with the servant Carlo Gérard. Chénier fall in love with a young aristocrate Maddalena, and will do anything to win over her heart. First performed at the Teartro Alla Scala in 1896, Umberto Giordano's opera is brought to like by Russian soprano Anna Netrebko and her husband Yusif Eyvazov.
Runtime: 140 mins
Rating: LIVE
The second live broadcast of the Berliner Philharmoniker 2017/18 Season is led by Kirill Petrenko, chief conductor designate of the orchestra, and features the exciting young pianist Yuja Wangperforming Prokofiev’s Piano Concerto No. 3. The concert also includes Anatoly Lyadov’s iridescent tone poem The Enchanted Lake and Franz Schmidt’s Symphony No. 4 in C Major. The cinema broadcast features exclusive interviews and programme insights.
Runtime: 120 mins
Rating: LIVE
Celebrate the end of 2017 with the Berliner Philharmoniker’s glittering New Year’s Eve Gala Concert broadcast live from Berlin and conducted by Sir Simon Rattle, with star guest Joyce DiDonato. The internationally acclaimed mezzo-soprano will perform Richard Strauss’s lavishly beautiful orchestral songs with the concert programme also including works by Dvořák, Stravinsky, Bernstein and Shostakovich. The cinema broadcast features exclusive interviews and programme insights.
Runtime: 120 mins
Rating: LIVE
On 14 November 1987, a promising conductor called Simon Rattle made his Berliner Philharmoniker debut with Gustav Mahler’s Sixth Symphony. Looking back Rattle says, I felt that I was finding my voice on that day. Mahler’s multifaceted work is again on the programme when Sir Simon appears for the last time as chief conductor of the Berliner Philharmoniker. Sir Simon Rattle’s Farewell Concert will be broadcast live to cinemas on 20 June 2018, with exclusive interviews and programme insights featured as part of this historic event.
Runtime: 140 mins
Rating: LIVE
A gripping drama based on the short novel by Herman Melville. Billy Budd follows a young sailor who finds himself serving under a repressive regime of master-at-arms John Claggrt in the Royal Navy. Unable to bear the goodness that Billy radiates. Claggart becomes determined to destroy him, leading Billy to take harsh actions against his superior. First preformed at the Royal Opera House in 1951, this and innovative contemporary opera.
Runtime: 120 mins
Rating: LIVE
The End of The End is the story of the last gig by the biggest name in heavy metal, Black Sabbath. After nearly 50 years, the band from Birmingham took to the stage for one last time in their home city, bringing down the curtain on a final tour that no one thought would ever happen. The film gives fans the opportunity to relive that final concert as well as giving an unparalleled insight into the men that have seen and lived it all, in their own words. The band also takes to Angelic Studios in order to perform tracks that haven’t seen the light of day for over forty years. A
Runtime: 89 mins
Rating: G
Based on the worldwide sensation and bestselling book series, and boasting an A-list cast of comedy superstars headed by Kevin Hart and Ed Helms, DreamWorks Animation brings audiences the long-awaited global movie event, CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE. This raucously subversive comedy for the entire family tells the story of two overly imaginative pranksters named George and Harold, who hypnotize their principal into thinking he’s a ridiculously enthusiastic, incredibly dimwitted superhero named Captain Underpants.
Runtime: 190 mins
Rating: LIVE
CARMEN deals with the love and jealousy of naive soldier Don Jose who's lured away from his beloved by the gypse factory-girl Carmen, whom he allows to escape from custody. Staged by Argentine director Valentine Carrasco, this is a modern interpretation performed in the enchanting setting of the Terme di Caracalla in Rome, the archaeological site of the Roman Baths where a unique theatrical stage come to life.
Runtime: 109 mins
Rating: G
Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen (voice of Owen Wilson) is suddenly pushed out of the sport he loves. To get back in the game, he will need the help of an eager young race technician with her own plan to win, inspiration from the late Fabulous Hudson Hornet, and a few unexpected turns. Proving that #95 isn’t through yet will test the heart of a champion on Piston Cup Racing’s biggest stage!
Runtime: 95 mins
Rating: TBC
Cork Film Festival and Genesius Productions presents Starfish followed by Q+A with producer Pippa Cross. Independent British film, Starfish, starring Joanne Froggatt (Downton Abbey, Filth) and Tom Riley (Da Vinci’s Demons) starts production on 20th November 2015. Starfish is based on the true-life story of Tom (Tom Riley) and Nicola Ray (Joanne Froggatt), whose lives changed overnight and beyond recognition when Tom contracted a rare and life-threatening illness. Tom survived, but at a price.
Runtime: 145 mins
Rating: LIVE
Soprano Rosa Feola takes the sage in this opera directed by Riccardo Chailly. Don Pasquale follows an old bachelor who decides to marry and produce an heir to spite his disobedient nephew Ernesto, who want to marry for love rather than money.But Pasquale's chosen bride isn't who she seems and bears her own secret...
Runtime: 85 mins
Rating: TBC
From one of the world’s largest art collections comes the remarkable story of Canaletto and the city he shared with millions through his art. With exclusive access to the highly anticipated exhibition at the Queen’s Gallery, the film opens the doors of London’s Buckingham Palace and Windsor Castle and takes cinema audiences through the squares and canals of Venice that Canaletto immortalised through his art. Including expert commentary and insights from curators of the Royal Collection, the film also reveals the intriguing story of how his works came to hold pride of place in the Queen’s own Picture Gallery.
Runtime: 85 mins
Rating: TBC
EOS is thrilled to present one of the most talked about exhibitions of the year. Dedicated to the portrait work of Paul Cézanne, the exhibition opens in Paris before traveling to London and Washington. One can’t appreciate 20th century art without understanding the significance and genius of Paul Cézanne. Featuring interviews with curators and experts from the National Portrait Gallery London, MoMA New York, National Gallery of Art Washington, and Musée d’Orsay Paris, and correspondence from the artist himself, the film takes audiences beyond the exhibition to the places Cézanne lived and worked and sheds light on an artist who is perhaps the least known of all the impressionists – until now. Filmed in Paris, London, Washington and the south of France.
Runtime: 85 mins
Rating: TBC
Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide. Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness. Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London. Director Phil Grabsky secured privileged access to craft this cinematic celebration of a 21st century master of creativity.
Runtime: 85 mins
Rating: TBC
From award-winning director Phil Grabsky comes this fresh new look at arguably the world’s favourite artist – through his own words. Based on over 2500 letters and narrated by Henry Goodman, I, Claude Monet reveals new insight into the man who not only painted the picture that gave birth to impressionism but who was perhaps the most influential and successful painter of the 19th and early 20th centuries. Monet’s life is a gripping tale about a man who, behind his sun-dazzled canvases, suffered from feelings of depression, loneliness, even suicide. However as his art developed and his love of gardening led to the glories of his Giverny garden, his humour, insight and love of life are revealed. Shot on location throughout Europe at the very spots he painted, I, Claude Monet is a fresh and intimate cinematic exploration of some of the most loved and iconic scenes in western art.
Runtime: 85 mins
Rating: TBC
Every Rembrandt exhibition is eagerly anticipated but this major new show hosted by London’s National Gallery and Amsterdam’s Rijksmuseum was an event like no other. Given exclusive, privileged access to both galleries, the film documents this landmark exhibition whilst interweaving Rembrandt’s life story with behind-the-scenes preparations at these world famous institutions. The exhibition focuses on the highlights from the final years of Rembrandt’s life, commonly thought to be his finest years. The masterpieces he produced during this period could be called his defining works, with each piece so soulful and honest that they helped sculpt our idea of Rembrandt as a man and as an artist. This film explores each of the exhibition’s key works, through contributions from specially invited guests including curators and leading art historians. For many, Rembrandt is the greatest artist that ever lived and this film seeks to explore the truth about the man behind the legend.
Runtime: 180 mins
Rating: CLUB 18+
Grace Jones and Friends Live promises to be a thrilling and enlightening evening with the inimitable icon, as she discusses her life and work with some of her closest collaborators, from the worlds of music, fashion, art and film, following an exclusive preview of Sophie Fiennes’ highly anticipated new film Grace Jones: Bloodlight and Bami. Grace Jones: Bloodlight and Bami takes the viewer on an intimate and electrifying journey that moves between four cinematic layers – performance, family, artist and gypsy – to explore the fascinating world of this pop cultural phenomenon. Here we see her behind the mask as a daughter, mother, sister and grandmother, alongside taking to the stage for a specially commissioned performance, with legendary hits including Pull Up To The Bumper and Slave to the Rhythm showcased in full. Larger than life, bordering on cartoon, wild, scary and androgynous – Grace Jones plays all these parts.
Runtime: 135 mins
Rating: 16
IT, directed by Andy Muschietti (Mama), is based on the hugely popular Stephen King novel of the same name, which has been terrifying readers for decades. When children begin to disappear in the town of Derry, Maine, a group of young kids are faced with their biggest fears when they square off against an evil clown named Pennywise, whose history of murder and violence dates back for centuries.
Runtime: 141 mins
Rating: 16
Kingsman: The Secret Service introduced the world to Kingsman - an independent, international intelligence agency operating at the highest level of discretion, whose ultimate goal is to keep the world safe. In KINGSMAN: THE GOLDEN CIRCLE, our heroes face a new challenge. When their headquarters are destroyed and the world is held hostage, their journey leads them to the discovery of an allied spy organisation in the US called Statesman, dating back to the day they were both founded. In a new adventure that tests their agents’ strength and wits to the limit, these two elite secret organisations band together to defeat a ruthless common enemy, in order to save the world, something that’s becoming a bit of a habit for Eggsy…
Runtime: 140 mins
Rating: LIVE
Set in the idyllic 19th century Paris, La bohème tells the story of a love affair between a poor poet and a seamstress. But they are soon faced by the cruel realities of the poverty and ill health which ends up putting their relationship to the test. This productions of one of opera'a classic and unforgettable stories is led by a cast of four talented young artists as the lovers.
Runtime: 150 mins
Rating: LIVE
A new production of Oscar Wilde’s social comedy, Lady Windermere’s Fan, directed by award-winning writer, actor and director Kathy Burke, will be broadcast live to cinemas from the Vaudeville Theatre in London’s West End. This is the second play from the Oscar Wilde Season, a year-long celebration of the brilliant Victorian playwright being staged by Classic Spring, a new theatre company led by Dominic Dromgoole, former Artistic Director of Shakespeare’s Globe. The day of Lady Windermere’s birthday party, and all is perfectly in order. Until her friend Lord Darlington plants a seed of suspicion. Is her husband having an affair? And will the other woman really attend the party? First performed in 1892, Lady Windermere’s Fan explores the ambiguity of upper class morality and the fragile position of women in society in the late Victorian era in one of Wilde’s most popular and witty plays. 
Runtime: 140 mins
Rating: LIVE
Le Corsaire follows the swashbuckling adventures of a dashing pirate who journeys across the high seas to save his beloved from the Pasha's harem with danger looming at every turn. With lavish sets and costumes, the choreography mirrors Russian ballet master Maris Petipa's revival from the 19th century St Petersburg. Full of action, passion and a romantic twist form the heart of the unmissable ballet.
Runtime: 94 mins
Rating: TBC
“We cannot speak other than by our paintings” Written by Vincent van Gogh in a letter the week before his death The film brings the paintings of Vincent van Gogh to life to tell his remarkable story. Every one of the 65,000 frames of the film is an oil-painting hand-painted by professional oil-painters who travelled from all across Europe to the Loving Vincent studios in Poland and Greece to be a part of the production. As remarkable as Vincent’s brilliant paintings, is his passionate and ill-fated life, and mysterious death.
Runtime: 92 mins
Rating: 15A
It's a drama about the 1983 escape of thirty-eight IRA prisoners from HM Prison Maze.
Runtime: 115 mins
Rating: 18
A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence. from filmmaker darren aronofsky (black swan, requiem for a dream), mother! stars jennifer lawrence, javier bardem, ed harris and michelle pfeiffer in this riveting psychological thriller about love, devotion and sacrifice.
Rating: TBC
Let’s Play Two is a documentary film that chronicles Pearl Jam’s legendary performances at Wrigley Field during the Chicago Cubs historic 2016 season. With Chicago being a hometown to Eddie Vedder, Pearl Jam has forged a relationship with the city, the Chicago Cubs and Wrigley Field that is unparalleled in the world of sports and music. From Ten to Lightning Bolt, the documentary film shuffles through Pearl Jam’s ever-growing catalog of originals and covers - spanning the band's 25-year career. Through the eyes of renowned director/photographer Danny Clinch and the voice of Pearl Jam, the film showcases the journey of this special relationship.
Runtime: 170 mins
Rating: LIVE
At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole events become curiouser and curiouser... As Alice journeys through Wonderland, she encounters countless strange creatures. She’s swept off her feet by the charming Knave of Hearts, who’s on the run for stealing the tarts. Confusion piles upon confusion. Then Alice wakes with a start. Was it all a daydream? Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. Alice encounters a cast of extraordinary and instantly recognizable characters, from the highly strung Queen of Hearts – who performs a hilarious send-up of The Sleeping Beauty's famous Rose Adage – to a playing-card corps de ballet, a sinuous caterpillar and a tap-dancing Mad Hatter. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story: a nightmarish kitchen, an eerily disembodied Cheshire Cat and the unhinged tea party are all here in vivid detail. The delicious result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment.
Runtime: 205 mins
Rating: LIVE
Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist. With the Lescauts’ encouragement Des Grieux cheats at cards in an attempt to win Monsieur G.M.’s fortune. They are caught. Manon is arrested as a prostitute and deported to New Orleans, followed by Des Grieux. On the run, Manon dies from exhaustion. Kenneth MacMillan’s source for Manonwas the 18th-century French novel already adapted for opera by Massenet and Puccini. The premiere was given on 7 March 1974, with the lead roles danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance.MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty. Designs by his regular collaborator Nicholas Georgiadis reflect this, depicting a world of lavish splendour polluted by miserable destitution. MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans. But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas.
Runtime: 180 mins
Rating: LIVE
Leonard Bernstein was one of the first classical composers in America to achieve both popular and critical acclaim. He was eclectic in his sources – drawing on jazz and modernism, the traditions of Jewish music and the Broadway musical – and many of Bernstein’s scores are remarkably well suited to dance. He was particularly associated with Jerome Robbins, their credits together including Fancy Free andWest Side Story. To celebrate the centenary year of the composer’s birth, The Royal Ballet has united all three of its associate choreographers to celebrate the dynamic range and danceability of Bernstein’s music.The programme includes two world premieres by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon, marking each artist’s first foray into Bernstein. At the heart of the programme is the first revival of Artist in Residence Liam Scarlett’s The Age of Anxiety, created in 2014 to Bernstein’s soul-searching Second Symphony. Both symphony and ballet are inspired by W.H. Auden’s masterful modernist poem, itself written in response to the atmosphere of disillusionment and uncertainty that followed the end of World War II.
Runtime: 180 mins
Rating: LIVE
Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with additional choreography by Artist in Residence Liam Scarlett. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.Prince Siegfried chances upon a flock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night. Swan Lake was Tchaikovsky’s first ballet score. Given its status today as arguably the best loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score, but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov
Runtime: 135 mins
Rating: LIVE
The young Clara creeps downstairs on Christmas Eve to play with her favourite present – a Nutcracker doll. But the mysterious magician Drosselmeyer is waiting to sweep her off on a magical adventure. After defeating the Mouse King, the Nutcracker and Clara travel through the Land of Snow to the Kingdom of Sweets, where the Sugar Plum Fairy treats them to a wonderful display of dances. Back home, Clara thinks she must have been dreaming – but doesn’t she recognize Drosselmeyer’s nephew? Peter Wright’s nigh-on definitive production for The Royal Ballet ranks as one of the most enduring and enchanting versions of The Nutcracker. With its festive period setting, dancing snowflakes and enchanting stage magic, Lev Ivanov’s 1892 ballet has become the perfect Christmas entertainment, with Tchaikovsky’s sumptuous, sugar-spun music the most recognizable of all ballet scores. Loosely based on the story by E.T.A. Hoffmann, the ballet opens with a lively Christmas party, its Victorian setting captured in opulent detail by Julia Trevelyan Oman’s designs. Wright’s choreography ingeniously incorporates surviving fragments of the ballet’s original material, including the sublime pas de deux for the Sugar Plum Fairy and her Prince. But in emphasizing the relationship between Clara and the Nutcracker Prince, the production also gains a touching subtext of first love.
Runtime: 180 mins
Rating: LIVE
Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance The Winter’s Tale for The Royal Ballet in 2014. Building on the success of Alice’s Adventures in Wonderland, The Winter’s Tale received ecstatic praise at its premiere, acclaimed by critics and audiences alike for its intelligent, distinctive and emotionally powerful story, told through exquisite dance. It is now widely judged to be a modern ballet classic.The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation. With powerful designs by Bob Crowley and atmospheric music by Joby Talbot, The Winter’s Tale is a masterful modern narrative ballet.
Runtime: 200 mins
Rating: LIVE
Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.
Runtime: 155 mins
Rating: LIVE
When Rodolfo, a penniless poet, meets Mimì, a seamstress, they fall instantly in love. But their happiness is threatened when Rodolfo learns that Mimì is gravely ill. Acclaimed director Richard Jones (Boris Godunov, Il trittico) directs a new production of Puccini's La bohème. Irresistible in its witty, passionate blend of comedy and tragedy, the opera focuses on the lives of a group of young artists as they eke out an existence on the bohemian fringes of Paris, the capital of the 19th century. Jones brings his characteristically acute insight to this much-loved classic, visualised in Stewart Laing's spectacular, stylized 1850s setting. Puccini's romantic depiction of bohemian Paris, with memorable music and a love story drawn from everyday life, has captivated audiences around the world, making La bohème one of the best-loved of all operas. It was first performed in Covent Garden in 1897 and has had more than five hundred performances there since.
Runtime: 200 mins
Rating: LIVE
Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts. Murder makes Macbeth king, and intrigue and butchery are the hallmarks of his brief, doomed reign. The witches make another prediction, which also comes true: Macbeth and his lady lose their lives, and justice is restored. Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds. The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria ‘La luce langue.’
Runtime: 165 mins
Rating: LIVE
The corruption of innocence is at the heart of Verdi’s potent tragedy in David McVicar’s production for The Royal Opera. Rigoletto, court jester to the libertine Duke of Mantua, is cursed by the father of one of the Duke’s victims for his irreverent laughter. When the Duke seduces Rigoletto’s daughter Gilda, it seems the curse is taking effect... David McVicar’s production highlights the cruelty at the heart of the court of Mantua. Richly dressed courtiers engage in orgies and revelries to Verdi’s heady, spirited dances. The opera’s many musical highlights include the ebullient ‘La donna è mobile’, in which the Duke boasts of his disregard for women; Gilda’s exquisite, plangent duets with Rigoletto and the Duke; and the gorgeous Act III quartet that beautifully weaves the voices together as the story quickens to its shattering conclusion. Giuseppe Verdi wrote in 1855 that Rigoletto was his ‘best opera’. He had had to overcome state censorship to stage it – the censors objected to its depiction of an immoral ruler – but he was vindicated by the premiere’s huge success in 1851. Rigoletto was performed 250 times in the next 10 years and has remained one of the most popular of all operas.
Runtime: 200 mins
Rating: LIVE
Tosca is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace. Jonathan Kent’s production for The Royal Opera captures the dangerous political turbulence of Rome in 1800. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, including ‘Vissi d’arte’ and ‘E lucevan le stelle’. Giacomo Puccini’s dramatic work was a hit with audiences on its 1900 premiere and it remains one of the most performed of all operas – with its gripping plot and glorious music, it’s easy to see why. A candle-lit church, Scarpia’s gloomy study with its hidden torture chamber and the false optimism of a Roman dawn: this handsome production throws into relief the ruthlessly taut drama, as the tension is wound up towards a fateful conclusion. Puccini’s meticulously researched score is infused with the same authentic detail, from distant cannon fire during the Act I Te Deum to tolling church bells and the sounds of a firing squad.
Runtime: 93 mins
Rating: 15A
THE DRUMMER & THE KEEPER tells the story of the unlikely friendship formed between two young men; Gabriel, a reckless young drummer with bipolar disorder, who revels in rejecting society’s rules and Christopher, a 17 year old with Asperger’s Syndrome, who yearns to fit in. This heartwarming story shows the strength of the human bond in the face of adversity.

Written and directed by Nick Kelly, whose short film SHOE was shortlisted for an Academy Award, THE DRUMMER & THE KEEPER was produced by Kate McColgan for Calico Pictures (FROM THE DARK), with support from the Irish Film Board.

The film stars a collection of talented Irish actors including Dermot Murphy (CLEAN BREAK, RAW), Charlie Kelly (THE SECRET SCRIPTURE, JADOTVILLE), Peter Coonan (WHAT RICHARD DID, LOVE/HATE), Aoibhinn McGinnity (MOONE BOY, QUIRKE, LOVE/HATE), Annie Ryan (FERRIS BUELLER'S DAY OFF, LAWS OF ATTRACTION), Niamh Algar (WITHOUT NAME) and introducing Jacob Mc Carthy
Runtime: 86 mins
Rating: G
The Emoji Movie unlocks the never-before-seen secret world inside your smartphone. Hidden within the messaging app is Textopolis, a bustling city where all your favorite emojis live, hoping to be selected by the phone’s user. In this world, each emoji has only one facial expression – except for Gene (T.J. Miller), an exuberant emoji who was born without a filter and is bursting with multiple expressions. Determined to become "normal" like the other emojis, Gene enlists the help of his handy best friend Hi-5 (James Corden) and the notorious code breaker emoji Jailbreak (Anna Faris). Together, they embark on an epic "app-venture" through the apps on the phone, each its own wild and fun world, to find the Code that will fix Gene. But when a greater danger threatens the phone, the fate of all emojis depends on these three unlikely friends who must save their world before it’s deleted forever.
Runtime: 97 mins
Rating: G
The Jungle Bunch is the fun and exciting tale of Maurice, a penguin who was raised in the jungle and thinks he’s a tiger! When two penguins from his Antarctic homeland come in search of “The Great Tiger Warrior” to defend their colony from an invading herd of walruses, Maurice assembles a misfit team of jungle friends: Fred, the musical warthog, Batricia, a bat who’s afraid of the dark, Miguel, a sweet but simple gorilla, and Gilbert, a terrified tarsier. Together they set out on a mission to save the penguins’ home and end up on an adventure they’ll never forget.
Runtime: 90 mins
Rating: PG
When the evil mayor of Oakton decides to tear down Liberty Park and build an amusement park in its place, Surly, Buddy, Andie and the rest of the animals are suddenly homeless! Surly tries to fight back, but realizes it's not going to be easy.The mayor has got an animal control squad patrolling the park… Precious has been dognapped by the mayor’s hyperactive daughter... And Surly has offended Mr. Feng, an adorable city mouse with deadly kung-fu skills. Surly realizes that he has to put aside his differences with the animals and get everybody to work together in order to defeat the mayor, rescue Precious, and save Liberty Park... Before it's too late!
Runtime: 85 mins
Rating: 15A
Two teenage boys cycle 160km on stolen bikes pursued by police to find a missing bale of cocaine worth 7 million euro. Set around the real event of Ireland's biggest cocaine seizure in 2007 of 440 million euro.
Runtime: 112 mins
Rating: PG
Queen Victoria strikes up an unlikely friendship with a young Indian clerk named Abdul Karim.
Runtime: 110 mins
Rating: 16
An FBI agent teams with the town's veteran game tracker to investigate a murder that occurred on a Native American reservation.
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